Larissa Andrusyshyn’s début collection confronts loss and mourning by exploring the lyric science behind keeping things alive in a world where technology is at work reviving extinct species. Through strikingly innovative uses of metaphor, personification, and surrealistic leaps of narrative imagination, this exciting and wide-ranging collection of poems about family and memory in the context of human bio-intervention pushes our thinking about the relationship between parts (fragments, shards, things washed up in pieces) and wholes (cohering personal narratives and stories, ecosystems, and other contextualizing frameworks.